Wednesday, April 18, 2007

We Tell Stories Presentation...




















In Oklahoma City there is a bi-weekly event entitled WE TELL STORIES, it is practically a Christian poetry night due to all the verbal restrictions placed on the poets who present. This particular night was indeed HOT!!! I performed two pieces, Arrested Emotional Development and Destiny. Each of the piece were about the sour taste love gone wrong leaves behind following heartbreak.




Here are a few pictures of my performance...



Wednesday, April 4, 2007

Biography

B. K. Hotchkins is the author of the new book Visual Poems, The Dichotomy Chronicles, Part One, Capturing Sunrays in a Glass Jar and CD. His poetry and prose have been showcased at Oklahoma State University Def Poets Event, Wayward Poets at Galileo’s, Full Circle Bookstore Poetry Sundays, Verbal Essence Poetry Extravaganza, Oklahoma City Juneteenth Festival, We Tell Stories: Heady Poetry Review, Subterranean Poets at Java Dave’s Night, the Norman Train Depot Featured Poets Series and 9th Annual Thatcher Hoffman Smith Poetry Series – Open Mic.

American born, B. K. Hotchkins grew up in Oklahoma City, OK, upon high school graduation he moved to Dallas, TX, to earn an undergraduate degree at Southern Methodist University then returned home to acquire a graduate degree at the University of Oklahoma. March 2006, he began drafting the beginnings of Capturing Sunrays in a Glass Jar via his personal blog www.slumpfacade.blogspot.com, which reached fruition in January 2007. February 2007, he began recording Capturing Sunrays in a Glass Jar, the Spit Tape, which features nine full-length original pieces of prose. The audio cd is a collaborative between B. K. Hotchkins and the Beat King Rod of War, who created seven original instrumental specifically for this project which accompanies the book. In addition, he teaches a workshop entitled “The Soul of Prose, Poetry in Our Terms”. The workshop teaches students how to write prose, appreciate the history of poetry in America (including Hip Hop) and gain insight about contemporary expression via open mic, spoken word, and Slam.

In the author’s own words…

Capturing Sunrays in a Glass Jar is my first attempt to begin understanding how poetry can be seen versus read. Initially, this project was a way for me to express myself, document poetry, and share personal viewpoints within the blog world. It eventually evolved into a book idea, for friends only, as a personal gift to those I cherish the most; the persons who have shaped my development as a writer and an individual. As a result of several requests, edits and long hours of preparedness transformed random thoughts into what I passionately call a chronicle of “visual poetry.” The idea was simple, transfer the stories I see unfolding in my mind directly to the page for a reader to experience.

As a writer who loves words, but hates to read, composing Capturing Sunrays in a Glass Jar was quite difficult. This challenge left me charged with creating a larger poetic picture by using smaller poems, similar to written mosaics. The ultimate struggle was in attempting to convey purpose and meaning for each piece without disrupting the book’s flow. Admittedly, there were times when I lost focus and wanted to quit, however, fate has its divine place. This realization led me towards making Capturing Sunrays in a Glass Jar the type of book which is to be seen and not simply read.

It is a book created in effort to provide profound examples of how poetry can tell vivid stories that touch the reader; allowing them to swap places with the characters. The pieces within this book grant the reader an opportunity to feel their pain, pleasure, disappointment, joy, and grief. As the reader, I encourage you to challenge yourself to connect with the concrete abstractness of the text; it was written to help broaden your belief in the power of the written word. Consider this book an extension of self – mine to yours.

Reviews

Praise for…Capturing Sunrays in a Glass Jar

With all the brilliance and improvisational artisanship of a renaissance painter, B. K. Hotchkins is a great poet of vividness—the unbridled love for words that binds writer and reader, abstract and substantive, certain and the unexpected. In Capturing Sunrays in a Glass Jar he examines the roles of human pursuit toward the unattainable; love, happiness and perfection. In taut, meticulously crafted paragraphs, he paints effervescent stanzas… “he was told luckily the girls were still born so they didn’t suffer/what an emotional buffer delivered with such tact/their bodies removed the day before in an attempt to spare him additional emotional distress/yes, he wanted to see her one last time, them for the first, but until then he needed time to grieve/asked the authorities to leave then loaded his revolver…”. Capturing Sunrays in a Glass Jar is the powerful first book in a new trilogy by an underground visual poet whose work never ceases to challenge and surprise his readers.
Samuel Newton, Urban Folklore Magazine

Poetry is an art form used to evoke feelings, capture the essence of relationships, and provide metaphors for life using words to create mental pictures for our conscious digestion. The poems featured in this volume of work do all of that plus some. The prose flows as an extension of Hotchkins’ take on situations and how carefully strung words can create a totally different mental picture. Capturing Sunrays in a Glass Jar is a work of genius. This book is unquestionably a conversation starter that will stir up the most intense debates about love, life and happiness. Hotchkins is a one of a kind poet with a unique skill for creating “fictional grandeur” out of the most mundane moments in life. Capturing Sunrays in a Glass Jar will certainly make waves in the poetry arena. Pick up the first edition because it will truly be a collectors item.
Monique Bruner, Reviewing for Real Page Turners